James 3

This challenging arrangement for unaccompanied four-mallet marimba comprises a four-part chorale-style exposition of the famous early-American melody followed by four variations in contrasting

This collection draws hymns from traditional European melodies, American tunes and African-American spirituals; many have connections to significant historical events. These arrangements for two and four

Come Thou Fount of Every Blessing is an 18th-century Christian hymn based upon the American folk tune NETTLETON. In Matthew Weyer's arrangement for vibraphone and marimba duo, he brings beautiful

A beginning-level solo for bells with optional snare drum.

This collection includes 12 of the most popular and favorite hymns of all time. These beautifully crafted arrangements are fun to play and will be sure to please any audience or congregation. Titles

A useful collection of pieces for both concert and church settings, weddings, and holidays.  All pieces can be performed with just one low-E marimba, vibraphone, and bells.  How Great Thou

A Mighty Fortress Is Our God; Ode to Joy; Eternal Father and God of Our Fathers arranged for keyboard quartet by James L. Moore.

This work is an appealing treatment of various hymn tunes woven together into one continuous showcase for the solo vibraphone player's musicality and interpretive abilities! Suitable for the recital

A beginning solo for bells and optional tambourine.

Each piece in this collection came from the Trinity Hymnal, a favorite in Presbyterian churches. The songs were selected for their suitability for marimba and for their textual content. The hymn

As one of the most famous Christian hymns around the world, Chad Floyd transforms Jesus Loves Me into a beautiful new vibraphone arrangement that will be effective regardless of whether the

The Lord's Prayer is one of the most iconic sacred verses in the English language. It was famously set to music by Albert Hay Malotte in 1935 and has been performed by some of the most renowned

A Sacred Vibe was written to provide recognizable, but unique arrangements of familiar hymns for 4-mallet solo vibraphone. All eight of them are playable on a 3-octave vibraphone. An